Ryan Reynolds takes suffering for your art to new depths can not be conceived in the burial and Paul Conroy, a truck driver in the war zone of Iraq who were to deliver supplies to rebuild because it was in dire need of cash. Paul is the contractor ignorant and does not unaware of the dangers facing it, but not affected by what appears to blue-collar highly Group on assurances from the company that his safety will not be line.Which gives a spine tingling radically, not to mention a new meaning unpleasant awfully for the concept of being part integral part of a war zone.
Horror can also come in small groups. Even a coffin, as no-frills, Thriller underground impressively confirms literally buried. I think interior decorating, and you can add many flourishes even to the apartment of one room if you let your imagination go as far enough from the wild, and Spanish director Rodrigo Curtis does in this exciting story of the graves of a ransom. Despite the machinations of the genius of hope script screenwriter Chris Sparling hostage to ill elegant I would not go to the heads of any terrorist in any time soon, when it moves to the novel while the intrigue high price of kidnapping.
So when Paul wakes up after leaving temporarily from a wound in the head and finds himself buried alive in a wooden coffin in total darkness and only the cigarette lighter and one cell Arab phone company, said he was confident that his company, or at least the Government of the United States, would save a priority paramount importance to to-do list. Think again, Paul.Never and dismay the large ruled the screen and wreaked havoc as quiet as the use of scare tactics assured, with a few tools and only what amounts to a very close relation to one man rest in real-time formidable, and while rarely moving the muscles in confined spaces.
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